Slowly Restored Faith

September 1, 2009

Back in November of last year I posted this, in which I voice my opinion on how Lincoln’s only major music venue is only booking indie bands. If you have a quick read of it you’ll see that it is not a positive opinion on the matter, basically it’s the opposite. However 10 months later the Engine Shed have decided to book someone else, hooray!

Admittedly the majority of the bands playing are NME’s cast-offs from last year but there is the odd curve ball thrown in to keep the non-indie kids happy. One of these is Dragonforce. Read the rest of this entry »


Unsigned Review: Somewherebetweenaclicheandamonkey

June 27, 2009

Electronic music is becoming increasingly popular nowadays with the vast improvement in the quality of machines available (drum machines, synths etc) and many bands are adopting either an element of electro or becoming a full blown electro band. The problem then is that everyone has a synth or a sampler and can make a ’song’ in a matter of minutes, yet will most likely be awful. The old saying ‘a minute to learn, a lifetime to master’ is never more true. Read the rest of this entry »


Lincoln Isn’t Just Indie Fans!

November 8, 2008

This has been playing on my mind for a while now, as I’m sure it has for many other music lovers in Lincoln. The main music venue in this city is the Engine Shed, which opened its doors in 2006 to a wide range of artists…or so we thought. The first bands to play (of which I took notice) were Embrace, The Zutons and Shiny Toy Guns. Sadly when the Engine Shed first opened it was an 18+ venue and I was not 18, thusly I was denied entry.

As of late however the gigs are now 16+, which has allowed more fans to attend the gigs and more bands to play (knowing there would be more people, especially in the age range they aim for). However, all these bands have been commercial indie tripe which are being passed around the Radio 1 playlist like God know’s what and therefore becoming popular without actually trying.

When the Engine Shed started booking bands on a regular basis though I did attend, mainly to support my local music scene. In the space of a few months I had seen The Hoosiers, Scouting For Girls, The Script, Reverend And The Makers, The Black Kids, Kate Nash, Cage The Elephant and The Pigeon Detectives. Not really a wide selection of music there by anyone’s standards, all of the aforementioned bands have been overplayed on both BBC and commercial radio which apparently means they’re going to be amazing live…sadly not.

Personally I’m not a fan of commercial indie at all (mainly bands emerging in the past 2 years beginning with ‘The’) and the shows I saw at the Engine Shed confirmed my stance on the genre. Admittedly some of the bands were good and the crowd got going for it, but it was never anything out of the ordinary. The usual forté of a vibrant frontman running around everywhere whilst the rest of the band stand still for the fear they might get noticed by the crowd.

Since the starting of regular gigs at the Engine Shed, there has been a constant barrage of indie band after indie band infecting the stage with their unbearable ‘new take’ on the genre, which somehow sounds like everyone else. Bands which have appeared recently are; The Kooks, The Ting Tings, The Charlatans and other such bands beginning with ‘The’. There have been some ‘alternative’ bands though in the past 2 years which such as Deftones, Cooper Temple Clause and Feeder. I attended the Deftones gig which was majorly underpromoted (the tour date wasn’t even on the t-shirts on sale at the gig) as such the venue was just over half full. Yet if a Radio 1 posterchild is given the opportunity to headline then their posters will be all over the city of Lincoln like a tropical rash.

The mere idea of an ‘alternative’ band must somehow scare the ‘powers that be’ in charge of the Engine Shed and will only book indie bands as they know it will sell out and therefore make a profit. The population of Lincoln is around 100,000 and the capacity of the Engine Shed is 1,500 – I’m sure if they book a popular band that is not indie then tickets will sell. Bands such as Enter Shikari, Pendulum, Gallows, Klaxons and other such artists could fill the venue many times over – but probably will never get the chance.

I was most excited when the Taste Of Chaos 2008 tour was announced at the Engine Shed for November this year, but was cancelled in Lincoln due to ‘unforeseen circumstances’. After 2 years of waiting some metal bands were going to play Lincoln but it got cancelled, and no-one seems to know why. I knew many people who bought tickets, including myself. I was ticket number 700-and something which must mean it was nearly half sold out months before it was due to happen…but nevertheless it was cancelled.

So overall it seems that the people in charge of booking talent for the Engine Shed are scared of not selling the venue out, so only book bands which are played on the radio more than 3 times an hour every hour for months on end until the general public finally give in and start liking the band. Personally I feel the bookers for the Engine Shed should at least give it a shot booking a big non-indie band, if it fails then fine I was wrong that Lincoln isn’t just full of indie fans – but there is still only one way to find out…book someone else!


Drugs End Dubstep Night In Lincoln

October 27, 2008

This post is just a quickie whilst it’s still in my mind, and it’s about dubstep in Lincoln. There is a very small following of the genre throughout the city yet certain clubs and promoters put on dubstep nights to support the niche group. I think this is great as I am a dubstep fan and a few months ago there was nothing like it in Lincoln, yet now there are many nights dedicating themselves to drum and bass/dubstep. However, people do tend to ruin things don’t they? This past weekend I went to a dubstep rave at The Cell, it wasn’t busy in anyone’s eyes but the people there were having a great time – myself included. Due to run from 10pm through until 3am the night was sure to be good, especially with the clocks going back an hour to add an extra hour of dubstep (meaning it would technically finish at 4am). However it finished at 2:30am thanks to two guys who felt it necessary to take too much of a certain substance. I’m not completely sure what it was but I’m 99% confident I do know what it is, and it’s a stupid drug. I’m not going to name it in case I’m wrong but these two men were incapable of movement besides shaking and couldn’t open their eyes. They were carried out by bouncers and I’m presuming their friends, ambulances were called and the night was shut down. Annoyance ensued. DJs and fans alike were stood outside in sheer disbelief that the night had ended an hour and a half early. So we had a cigarette and went home, angry that what should have been a tremendous night of dubstep was cut short by just two careless people.


The Living Daylights Tear Up The Bivouac

October 20, 2008

It’s another Friday night at the Bivouac in Lincoln, local bands turn up to play to their friends and local music lovers alike. However, tonight the local band seem to be friends with half of Lincoln! Outside the Bivouac well over 100 people wait outside for the 100 tickets reserved for the door whilst the people with tickets are either outside smoking or inside drinking. Not one piece of flesh is left unpierced amongst this crowd of Lincoln’s finest punk followers, who are here to support Lincoln’s best punk band The Living Daylights.

Tonight is their night, it’s their album release show and the second date of their headlining tour. Various members of The Living Daylights and the two support acts (The Shuffle and All Idols Fall) rush up and down the stairs into the Bivouac past the crowd until the doors finally open, albeit 10 minutes late. The crowd are forced through the doors in single file and stand patiently on the stairs hoping their is enough tickets left for them to get in. “It’s just like the good old days” said Bivouac owner Steve Hawkins – and indeed it was.

Filled to near bursting point the Bivouac was turned from a local music venue into a massive party. The bar is packed and the front of the stage is already full of fans for the first band of the evening, All Idols Fall. They propel themselves through a ridiculously fast paced set which gets the crowd pumped up and screaming for more punk than it is physically able to consume. Here to serve up the next dose of mayhem is The Shuffle. Sadly for the first few songs about half the crowd are downstairs still recovering from All Idols Fall, but about halfway through their set the floor is alive again with bodies flying into one another and fists pumping in the air.

Despite both support bands playing some of the best punk the Bivouac has ever seen, nothing comes close to the music and the atmosphere of The Living Daylights. As soon as they walk onto the stage the atmosphere is transformed into both a party and a true appreciation of music. All five members of The Living Daylights look pumped up and raring to go on what is essentially a celebration of their music. Powering through anthemic songs such as Maps and inciting the first major singalong of their set – Carve It Out. The highlight however was the tribute to Calum Howell through a performance of MCD’s Heads Held High during which numerous friends of the band swarmed the stage, whilst the crowd screamed the lyrics as loud as humanly possible. The night comes to a close as they blast through a mind blowing Hanging On inciting the crowd into a frenzy as fans and band members alike crowd surf through until the end of the set. Not one person in the room is left disappointed, everyone is covered in sweat and has a massive smile on their face. The Living Daylights are definately the most popular punk band in this city, and will hopefully soon gain this level of popularity throughout the UK on their tour…they definately deserve it.

Photo Source: myspace.com/thelivingdaylightsuk